Books publishing in May, 2026.
Written by Pages Editorial.
May, may may. The fifth month of the year the days stretch. longer, or shorter, depending on your home. A month of fine new reading to tuck under your arm. Hand picked by us for you, this month's publishings include notable releases by Douglas Stuart, Séamas O'Reilly and Avigayl Sharp.
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John of John by Douglas Stuart
Out of money and with little to show for his art school education, John-Calum Macleod takes the ferry back home to the Isle of Harris in the Outer Hebrides to find that little has changed except for him. He returns to the windswept croft and the two pillars of his childhood: his father John, a sheep farmer, tweed weaver, and lay preacher in the local Presbyterian church, and his maternal grandmother Ella, a profanity-loving Glaswegian whose steady warmth helped Cal weather the sudden departure of his mother.
Cal privately wonders if any lonely men might be found on the barren hillsides of home, while John is dismayed by his son's long hair, strange clothes, and seeming unwillingness to be Saved. But Cal isn't the only one in the croft house who is keeping secrets. As lambing season turns to shearing season, the threads holding together the community together become increasingly frayed, and nothing will remain as it was before.
John of John is a singular novel about duty, passion, and the transformative power of the truth. It is a magnificent literary work that cements Douglas Stuart's reputation as one of our greatest novelists working today.
Prestige Drama by Seamus O’Reilly
In Derry, the locals are already in a twist about the arrival of Hollywood actress Monica Logue to research her role for a show about the Troubles--and then she goes missing. Everyone has a story to tell--about Monica's possible whereabouts, and about the historic events that brought her here in the first place: the show's screenwriter, desperate for this last shot at success; the grieving mother whose story he's adapting; the ex-IRA member who knows the price of survival; the local psychic who's seen too much ...
Prestige Drama brings to life a chorus of characters as they locate themselves in Monica's disappearance, and in the truth about their own history. From the author of the acclaimed memoir Did Ye Hear Mammy Died?, Prestige Drama is heartbreaking, hilarious, and profound, an indelible portrait of a community both obsessed with its past, and desperate to forget it.
Sara Nović’s early years were steeped in music, Bible study, and a strong desire to fit in. But when she failed her school’s mandated hearing test, her worldview was thrown into chaos. Desperate not to be marked as different, she told no one, staying in the hearing world for as long as she could by brute force.
Eventually unable to ignore the fact that she was deaf, Nović sought out other deaf people and was welcomed into a tight knit community rooted in the beauty and joy of American Sign Language. Nović realized that rather than maintaining the facade of her old life or trying to straddle two worlds, she would need to cultivate an existence in the space between.
Now the mother of two young sons—one, biological and hearing, the other, adopted and deaf—Nović reflects on her life both before and after parenthood. She’s raising her children within the deaf world, offering them things her younger self needed, all the while knowing that as her children grow, their own paths will branch off from hers in ways she cannot fully predict or plan for.
Interwoven with Nović's personal story is a remarkable portrait of America through reflections on some of its most complex histories: the rise of the Christian right, the thorny world of international adoption, and above all, the deaf and disabled communities’ stubborn survival in the face of persistent oppression.
Nović’s clear, bold voice is one readers will hold onto, learn from, argue with, and be inspired by, as she asks us to recognize difference as a source of opportunity rather than fear, as a chance to draw families and communities together, and to build something new.
Five , selected from over 100 untranslated novels and stories by "the Duchamp of Latin America" (Natasha Wimmer), brings together--each an astonishing work--Margarita: A Memory, The Dream, Musical Brushstrokes, Princess Springtime, and The Hormone Pill. Following a cast of dreamlike characters including cyber nuns, a young princess forced to be a hack translator, a news-paper vendor, and General Winter and his sadistic sidekick, the Little Christmas Tree, Five shows the many facets of Aira's multifarious mind as he turns expectations inside-out and gleefully explodes genre conventions.
Five is a must-have for Aira's legion of devoted fans around the world and a fine introduction to the as-yet uninitiated. A satisfyingly hefty installment from this "exquisite miniaturist" (WSJ) and writer whose "cubist eye sees from every angle" (NYT); because "once you start reading Aira, you don't want tostop" (Roberto Bolaño).
In Avigayl Sharp’s brilliant and bold debut novel, Offseason, our fiercely observant but self-deluded narrator finds herself teaching at an all-girls boarding school on the Eastern Seaboard. In between manic lectures that veer from Charles Dickens’s Bleak House to the childhood maltreatment of her beloved Iosif Stalin and the generational legacy of the Holocaust, she consorts and canoodles with the town’s locals—including the possibly disgraced male teacher whose job she’s taken over—implicating everyone she meets in her obsessive quest to pin down where, exactly, her own life went wrong.
Though she's vowed never to return to her hometown in the middle of the country, the holiday season sends her careening back into the orbit of her overbearing, maladjusted family. Drunk at a bar on the frigid afternoon of the seventh night of Chanukah, she encounters the figure from her adolescence who may or may not be responsible for violating her, bringing her down, and ruining her life. The past collides with the present—but catharsis and closure are nowhere to be found. Not at the bar. Not in her childhood home. And certainly not in the unruly spirals of her mind.
Serious yet irreverent with a delirious velocity, Offseason reimagines the conversation around trauma while reckoning with the doomed project of “speaking your truth,” the compulsion to repeat, and whether we can be transformed by art and love.
Frances’s older sister Charley was a star of the modern dance world. But just as she was ascending, she fell in love with Johnny, an enigmatic trust fund artist, and married him. A few years into their turbulent marriage, Charley mysteriously leaves her dance company and joins an enclosed convent in Provence. Much to the shock of her family, she changes her name to Sister Anne and cuts off contact with the outside world.
Frances, a dancer herself, grew up in the shadow of her brilliant sister and is suddenly unmoored without her. From their first uneasy meeting, Frances has distrusted Johnny. Now, she is certain he had something to do with her sister’s abrupt abandonment of her art and family. When Frances discovers that Johnny has returned to New York, she reaches out to him, looking for answers and seeking confrontation. The two plunge into an ambiguous intimacy—diving ever deeper, as each tries to unlock the other's secrets. A slender and twisted tale of sexual coming-of-age and of the deep bonds of lust and loyalty, Immersions asks how we are made—and unmade—by desire.
For decades, Fanny Howe has been our great poet of spirit and conscience, dislocation and bewilderment. In This Poor Book, completed just before her death, she has gathered a selection of poems and excerpts from the last thirty years, including new and revised poems, and has arranged them into an astonishing singular poem. Across this brilliant reconfiguration of her work, we follow the poet as seeker, both faithful and foolish, searching for language and existence beyond the machines of economy, judgment, and war. Howe interrogates the contradiction and violence of the twenty-first century, the misbegotten experiences that have given rise to a culture of authority and adulthood rather than one of innocence and childhood.
These spare lyrical shards move with a jagged but persistent direction—leading us between doubt and belief and toward Howe’s enduring vision for a life of humility, justice, and imagination.
Velhelm’s Room by Tove Ditlevsen
The ripples from a breakup radiate outward from the room where a married couple once loved each other, and a bizarre Lonely Hearts ad sets off a train of tragicomic events that leads to an inevitable conclusion. Vilhelm's Room, Tove Ditlevsen’s final novel—published a year before her untimely death in 1976—is a powerful conclusion to an extraordinary life as a poet, novelist, and memoirist: a blackly funny and devastating tour de force that pulses with life even as it journeys toward death.
Yara can’t comprehend why God has chosen them to slay Dominic, the ruthless leader of the army of Bad Guys. Cast out by their family and reeling from a destructive relationship, Yara has never felt weaker—but with nothing left to lose, they strike a deal. Abandoning their solitary days of embroidery and obsessive cleaning, Yara reluctantly embarks on a perilous odyssey designed to prepare them for the daunting mission ahead.
Meanwhile, Adrena, a disillusioned prophet with a terrifying secret power, is determined to become the hero of this story. Desperately seeking the glory of God’s approval and the promise of heaven, where she hopes to reunite with her beloved mother, Adrena must first persuade Harpo, the leader of the Good Guys, that her plan is God’s will.
As their journeys unfold in a series of unforgettable adventures, Yara and Adrena are propelled toward each other and transformative revelations about life, death, and destiny in this intensely captivating, irreverent epic from a singularly brilliant new voice in fiction.
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