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La Piscine

SARTORIAL ANALYSIS BY ANASA FRASER

Coppola

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Brooch in platinum and gold with diamonds and enamel, made at Cartier New York c1925, via AnOther mag.

Photography by Mattieu Lavanchy

While an editor at Random House, Toni Morrison dancing in New York City. Photographed by Warring Abbot. March, 1974.

Browsing the 5th and laid out this copy of Late Returns by Tom Clark.

Clark was an American poet, editor and biographer. He served as poetry editor of The Paris Review from 1963 to 1973 and published many volumes of poetry. Special moments, feeling

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A psychological thriller that deals with significant themes. Often compared to Gone Girl and based on an event that occurred in Manhattan in 2012. Propulsive as you would expect. Has anyone read this?

A new year re-publish, in case you missed this wonderful piece written by Anasa Fraser. The article explores costume as character in Jacques Deray’s iconic 1969 film La Piscine.

‘The cultural memory of La Piscine has become almost synon

‘She left me the way people leave a hotel room. A hotel room is a place to be when you are doing something else. Of itself it is of no consequence to one’s major scheme. A hotel room is convenient. But its convenience is limited to the ti

Bonne année ☕️🥖

A sartorial lens on Jacques Deray’s 1969 film, La Piscine. When costume becomes character.

Written by Anasa Fraser.

Read more on pagesstudio.net 🖤

Orchid by Robert Mapplethorpe, 1985.

‘Some were dreadfully insulted, and quite seriously, to have held up as a model such an immoral character as A Hero of Our Time; others shrewdly noticed that the author had portrayed himself and his acquaintances. . . A Hero of Our Time, gentle

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